Where Normal Need Not Apply
We often talk about the pros and cons of prologues, but epilogues can be good or bad as well. Let’s look at how epilogues differ from normal endings, what they can do, and what they shouldn’t do.
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Just as we have go-to favorite authors that we know we can depend on for delivering a certain type of story, readers are evaluating us for what we can deliver: What’s our promise to readers when they pick up one of our stories?
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After we finish brainstorming and start trying to assemble our ideas into a story, that’s the perfect point in our writing process to avoid major problems by questioning what story issues we might run into before we write too many words.
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We reveal our story through countless decisions in every scene, and we sometimes know which options seem right for our story. But other times, we might not be sure. In those cases, how do we decide which way to play out a scene?
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In artistic fields such as writing, we might think success depends on talent, and any struggle can be seen as a sign of our lack of talent. Today Lizzie Shane shares her insights on the importance of talent for success.
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After we had to say goodbye to our cat last weekend and were debating the “right” time to get a new pet, I was reminded of a lesson from the writing world. When we encounter problems, the advice isn’t to give up or wait a year. It’s to try, try again.
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It’s that time of year again. My eight-year blogiversary is coming up on July 12th. And I’m once again amazed by the fact that I’ve been writing this blog for eight years. How can something feel like yesterday and forever at the same time?
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A post by Claire Bradshaw over at Writer’s Edit ties in with our recent topic of plot holes, which can sneak into our character development and worldbuilding. Claire shares tips for finding all types of plot holes, as well as a step-by-step process for how to fix any we find.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about plot holes, especially the kind that sneak into our stories.
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What makes writing “good” takes more than just learning writing craft. That gap between tangible skills and enjoyable stories means it’s always difficult to define what makes for good writing—especially our own.
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