Where Normal Need Not Apply
While we need to learn grammar rules for our writing, if we follow the rules too strictly, we can strangle our voice. Today, Julie Glover shares her tips on four steps to break grammar rules in a good way.
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Whenever we send our work out into the world for feedback, we’re taking a risk. Depending on our levels of self-doubt, the feedback might roll off our back, inspire us to work harder and fix issues, or convince us that we should quit writing. How can we avoid destructive feedback and the temptation to quit?
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The journey to writing is filled with many obstacles, yet something keeps us going. Maybe if we understand what’s been most helpful for us becoming and/or remaining a writer—not including writing skill—we’ll be better prepared to face our obstacles now and into the future.
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As writers, we face deadlines and commitments every time we turn around. So we’re likely to be familiar with the pressure of deadlines and the expectation of meeting our commitments. But what happens when we can’t meet them? How bad is it for us and our reputation?
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During our search for beta readers, we might come across other writers willing to exchange–but they write in a different genre. Should we try a critique partnership anyway? Here are 4 tips for beta reading outside our genre.
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As writers, we’re so close to our stories it’s impossible to know how readers will interpret our words. That’s just one reason why we often need beta readers.
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For many writers, the point of writing is to connect with others through our words. Because of that desire, it’s hard to ignore feedback, and during editing, we don’t want to ignore suggestions. But what about after we publish? Should we read reviews of our published work?
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It’s that time of year again. My five-year blogiversary is coming up on July 12th. And I’m once again amazed by the fact that I’ve been writing this blog for five years. How can something feel like yesterday and forever at the same time?
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When we first start writing our story, we’re filled with passion for the idea. But at some point, we might dread working on our story. Is that a warning sign? Or should we plow forward anyway?
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Everything we write should be intentional—the words we use, the events we emphasize, the emotions we evoke, the themes we build, etc. But when our writing doesn’t match our intentions, we might need trusted feedback that forces us to justify our choices.
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