Every blog is unique. Every blog’s community of visitors—and their tendency to leave comments or their style of comments—is unique as well.
Here, I’ve been blessed with a great community of blog readers, and as part of my website resign, I tried to find a better comment system to help.
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A few weeks ago, I hinted that I’ve been busy working on a secret project. If you’re visiting this post online, you can see the evidence of that project right here: a brand-spanking-new website! Shiny!
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Many groups and forums for self-published authors compare notes on what works (or doesn’t work) for promoting our work. I’m not a promotion expert—at all. But I’m sharing my experience on what I’ve tried so we all have another data point to consider.
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Most of us have probably heard the advice about how we should make our writing more authentic or genuine. But what does that mean, and how can we make it happen? Today, Lizzie Shane joins us to share her insights into mining our experiences for our stories.
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In the writing and self-publishing world, writers encounter a lot of services that cost money. Some of them are solid resources that are worth it if they work for our processes. Others…? Not so much. That’s why it’s always nice to discover free resources or discounted services.
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While all diverse stories are important, the stories that should be most encouraged are those from authors who can provide an authentic perspective. Today, Wendy Sparrow shares her insights on what “own voices” means and how others can improve their non-own-voices stories.
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There’s no shortage of writing advice out there for us to learn. Some of that advice is questionable, a few tidbits are outright harmful, but most of it is decent-to-good. Yet even if advice is good, we still might want to ignore it. Yes, really.
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Certain types of reading are sometimes valued more than others. One descriptive term that’s often used as a put-down for genre stories is escapism, but is romance or any other genre story really “escapism”? What does that mean? Is escapism a “bad” thing, and if so, why?
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My series about Indie Publishing Paths at Fiction University has highlighted some of the choices we have to make as self-published authors, including what our newsletter strategy should be. Can our goals help us decide?
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We can’t do it all, and as Jenny Hansen mentioned recently, that includes limiting our social media platforms. It’s so easy in this business to overdo things, and that includes our branding efforts. Let’s take a look at how to find (and keep) the right balance for the sake of our sanity.
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