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Revision Technique: Why Did You Do That?

A knight chess piece on a board with text: Can You Justify Your Writing Choices?

Everything we write should be intentional—the words we use, the events we emphasize, the emotions we evoke, the themes we build, etc. But when our writing doesn’t match our intentions, we might need trusted feedback that forces us to justify our choices.

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April 28, 2015

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How to Punch Up a Blurb or Query — Guest: Julie Glover

Fist punching into water with text: Punch Up Your Blurb!

No matter how we publish, we have to come up with a great book description. Queries and blurbs have always been my weak point, so I asked my editors at each stage of the editing process for help. Julie Glover’s here today with tips for how to go from good to great.

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March 5, 2015

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How to Get Our Thoughts onto the Page

Illustration of a brain with text: Sharing Our Ideas with Readers

Probably no one can claim to be an expert at making sure the cool character in our head makes it onto the page. We can only guess at how readers will interpret what we tell them. Advice can help us share our brain with our readers as much as possible, but the process will never—ever—be completely clean.

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January 29, 2015

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How to Use Needs and Goals to Appeal to Readers

Cue ball lined up on billiards table with text: The Importance of Goals *and* Needs

When we first start learning about writing, we’re often faced with a whole new language. Words like “beats,” “tension,” and “conflict” take on new meaning within the writing world. Such it is with the words “needs” and “goals.” Once we enter the writing world, those words become infused with extra meanings related to plots and character arcs.

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January 15, 2015

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How Do You Handle Negativity from Others?

Megaphone on a security fence with text: Do You Listen to Negativity?

At some point, we’re likely to run into negativity in our writing-lives. Feedback might be filled with cruel “give up” put-downs. We might be attacked by internet trolls. Reviews might rip apart us, personally, instead of focusing on our book. So the question then becomes, what are we willing to do to avoid it?

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January 13, 2015

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Too Close? 5 Techniques to See Our Story Objectively

Long dock over the water with text: How Do You Get "Distance"?

After we complete a first draft, we might want to dig into revising right away because we’re still excited and passionate about the premise. But it’s often better to gain “distance” from our story first. Distance helps us see our story objectively so we can revise ruthlessly, not clinging to our intentions but seeing our story’s potential.

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September 16, 2014

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Feedback: Finding Problems vs. Fixing Problems

Framed paper scrap with text: Tell YOUR Story

If we’ve ever let beta readers or critique groups give feedback on our stories, we’ve probably run into the issue of receiving conflicting advice. In fact, if we’ve ever let more than one person read our work, we’ve probably received conflicting advice. *smile* One reader may love a character someone else hates. […]

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September 11, 2014

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