Where Normal Need Not Apply
It’s usually best to avoid “naming” emotions in our writing and to show those emotions instead. But to put the Emotion Thesaurus’s emotional cues into our voice, we might need to add our own spin, like from our observations of the real world. Today’s guest post has tips for how to develop our observing skills.
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As writers, we get to research anything we want. The problem comes when we think we know something, so we make assumptions without doing the research. Many of us assume we know the justice system because of the endless TV shows and movies depicting lawyers and courtrooms, but those sources don’t always get it right.
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We all have emotions, so we all think we know how to write them. However, sometimes the best writing comes from exposing an emotional truth that we’re hiding from ourselves. So the better we understand emotions, the better our stories will resonate with our readers.
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A common question among those getting ready to indie publish is “Should I use pre-orders or just publish right away?” My monthly guest post over at Janice Hardy’s Fiction University is digging deeper into our options for our release schedule and talking about the pros and cons for each choice.
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As we learn writing craft, we often go through phases. Just when we think we know everything there is to know, we discover another area to learn. One area I struggle with, even though I know the rules, is out-of-POV phrases. Luckily, one of my editors is a genius at finding these, and she’s here to share her tips.
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Last week, we talked about how we can add diversity to our stories in a respectful way, and no matter what kind of story we write, we’re probably going to need to research something. Whether we’re referring to an aspect of diversity, a setting, or a character’s job, we can’t know everything about everything.
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The real world is filled with diversity, and our stories should be the same way. There’s no “one right way” to portray diverse characters, but there are wrong ways to portray diversity. However, there are steps we can take to minimize—as much as possible—the potential of “getting it wrong.”
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Back when we first started writing, we might have been writing for ourselves, but for many of us, we expanded our goals somewhere along the line to focus on what others think of our work or how we might sell our work. Are we ready with a plan that will support that next step and the steps after that?
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We’ve probably all heard stories about ebook formatting problems, but we can be at a loss for how to tell a good formatter from a bad one. What issues should we watch out for? What questions should we ask? Even if we traditionally publish, we might want to judge whether our publisher knows what they’re doing for ebook publishing.
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I started visiting the original The Bookshelf Muse website by Angela Ackerman and Becca Puglisi soon after they started it, and it’s been fantastic to see their vision grow. So I’m thrilled to welcome Angela here today, as she’s going to share writing-related goodies with us.
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