Where Normal Need Not Apply
A character’s arc involves change, but what exactly is changing? Today, Jeff Lyons shares how to ensure we’re not saddling our protagonist with generic character flaws to overcome, but rather we’re creating well-rounded characters with personal motivations for their struggles.
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Last week, Jeff Lyons shared how to make every story idea the best it could be. Today he’s delving into the tricky description of high concept. Many agents and editors say they prefer high-concept stories, but what does that mean?
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Some stories tell an engaging tale that’s entertaining but doesn’t necessarily feel deep. Other stories make us feel like we’re changed by reading them. Today, Jeff Lyons shares his insights into how to make each type of story the best they can be.
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Many aspects of writing are subjective, so we often need to discuss how to find the right balance. One element we need to balance is the rules of writing versus our writing voice. How can we know when we should break the rules for the sake of our voice?
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It’s time for another post as a Resident Writing Coach over at Angela Ackerman and Becca Puglisi’s Writers Helping Writers site, and this time we’re exploring 3 steps we can take to raise our story’s stakes, the consequences for the characters if they fail to reach their goals.
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Ever wonder how many writing “rules” have a reason beyond “because I said so”? Story structure exists not just because it makes our story stronger, but also because the story beats help communicate with readers–and understanding how can help us write and revise our story.
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Ever heard of the left-brain versus right-brain dichotomy—our logical, language-focused left brain versus our creative and artistic right brain? What does that mean for authors, with our need for creativity and language? Let’s dig deeper into this brain science…
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When I first joined Goodreads, their account form asked me: “What Kind of Books Do You Like to Read?” My answer to that question helped me realize that I love becoming immersed in a story, the sense that we’re not just reading words on a page. But what creates story immersion?
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The stories we write are affected by our worldview, but that’s not the only thing that might make us avoid writing about certain elements. By looking at the other reasons we might have, we can decide whether our avoidance makes sense or points out an opportunity to improve.
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No matter how much we try different approaches, we often struggle with our story’s first pages. That’s why I’m always on the lookout for new ways of thinking about that critical opening page. Today Shaila Patel shares her insights on the right mix of elements for creating a great first impression.
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