Where Normal Need Not Apply
Whether we publish indie or traditionally, we may want to start a company at some point in our writing career, either for our pen name or for a publishing imprint or author services business. Today, I’m excited to have Kathryn Goldman here to share with us the legal aspects of starting our own company.
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One of my commenters asked a great question last week that gets to the heart of the balancing game we have to play when writing romance. The characters have to be perfect enough for each other to make a believable couple, but there also has to be enough conflict between them to sustain a story.
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Every Thanksgiving, I write a “the best reason to blog” post because gratitude is such a powerful tool. Thinking about what we’re thankful for forces us to pay attention to our priorities. The daily grind can make us forget why we do what we do, but being grateful for the good things reminds us of what matters most.
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If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
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When we first start seeking or giving beta reads, we might not know what kind of feedback is possible or appropriate. To help us, here’s a listing of ideas of the many aspects beta readers can use for evaluating a story.
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One of the RWA workshops I most looked forward to was Courtney Milan’s “Slow Writer’s Guide to Making a Living” presentation. Judging by the crowd, a lot of writers struggle with the pressure to write faster and the worry that our slowness will prevent us from reaching our goals.
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This past weekend, author Hugh Howey shared Liliana Hart’s self-publishing method, which she calls “5 down and 1 in the hole.” It’s easy to look at her self-publishing success (over 2 million ebooks sold) and chalk it up to luck. However, I heard advice that complemented her technique throughout the RWA Annual Conference.
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When changes happen gradually, we’re not always aware of them. My every-other year schedule for attending the RWA Annual Conference allows me to see the changes in the organization like a distant relative. I hadn’t attended the National Conference since 2012 and the differences from then to now were profound.
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My regular readers know I’m a perfectionist, but I try not to let it hold me back. However, facing various choices and issues in my writing career have forced me to recognize that sometimes I do suffer from a related fear. And that fear does hold me back.
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I’m looking forward to seeing my roomies again, and I do enjoy giving workshops and meeting people, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
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