When it comes to learning about point of view and how to avoid issues like head-hopping, it doesn’t help that half the information out there is confusing and contradictory. Let’s take a closer look at how we can find and fix these issues.
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A couple of weeks ago, Becca Puglisi, one of the co-authors of the fantastic Thesaurus books, shared her tips for using the new The Positive Trait Thesaurus and The Negative Trait Thesaurus books. Her advice can help us develop our characters at all stages of planning, drafting, and editing. But the […]
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In deep POV, especially, we want to avoid “head-hopping” and maintain our story’s immersion. But that means we need to know the right way to change the point-of-view of our story.
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Thanks once again to all who responded to my last blog post about whether books should have a rating system. And I say that not just because I didn’t need my flame-proof jacket. *smile* Many shared thoughtful ideas here on my blog, Google+, and Twitter that helped me refine my opinion. If […]
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We’ve learned that head-hopping should be avoided if we want to maintain a strong connection between the reader and the characters, and we’ve learned that just calling something omniscient doesn’t solve the head-hopping problem. This brings up the obvious question: How do we avoid head-hopping? The answer might be different […]
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Last time, we talked about how head-hopping is something to avoid, and not just because there’s a rule against it. Any change in point-of-view (POV), whether using an “allowed” technique or not, risks weakening the connection between the reader and the story. Head-hopping authors sometimes say they’re writing in omniscient […]
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Depending on who you talk to, head-hopping is somewhere between a shoulder shrug and the-world-is-ending bad. Note that neither of those extremes thinks that head-hopping is good. I suppose it could be positive if used in some sci-fi story, along the lines of “body snatchers,” but we’re talking about it […]
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