How Can We Make Scenes Feel Stronger with Sequels?
Is a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
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Where Normal Need Not Apply
Is a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
Pin ItSome stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
Pin ItOut in the world, conflict is usually considered a bad thing, but our stories need it. How much conflict does our story need and how can we add more?
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about how to choose good story goals.
Pin ItI never watched Game of Thrones but this past season is an excellent example of how pacing can affect character arcs and readers’ relationships to our characters.
Pin ItAnytime we make a lot of changes to our story, we risk problems, but it helps to track the edits we need to make. How can we organize our revision?
Pin ItEvery page of our story should include tension, such as friction between characters, but how do we create characters who clash? Let’s see how to develop characters who create tension in every interaction.
Pin ItSometimes we’ll hear writing advice like “avoid clichés,” but what does that mean when it comes to story tropes? After all, can’t tropes be helpful? And if so, how do we make them less cliché?
Pin ItWriters need readers to grasp emotional information from non-POV characters, which can be a struggle. Becca Puglisi, co-author of the Emotion Thesaurus shares 6 techniques to avoid the problem.
Pin ItDepending on the type of villain in our story, the psychology we use to create our character changes. Kassandra Lamb shares her 8 “do’s and don’ts” to help us create our villains.
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