What’s Your Non-Fiction Voice?
Even if we usually write fiction, we’ll likely write non-fiction sometimes. And when our fiction voice isn’t appropriate, we’ll need to develop a different style for non-fiction.
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Where Normal Need Not Apply
Even if we usually write fiction, we’ll likely write non-fiction sometimes. And when our fiction voice isn’t appropriate, we’ll need to develop a different style for non-fiction.
Pin ItWorldbuilding means we have to create the “rules” for our characters and their story world. How can we can develop our story’s world to make it feel real?
Pin ItThe romance genre is often called “aspirational,” but even romances with a happy ending can fail at being uplifting. What other elements contribute to an uplifting story and what can they teach us about other genres?
Pin ItAs writers, we have to make our characters seem real to readers, but it’s often not easy. So here’s two resources that can help us create characters that seem real.
Pin ItWriters need readers to grasp emotional information from non-POV characters, which can be a struggle. Becca Puglisi, co-author of the Emotion Thesaurus shares 6 techniques to avoid the problem.
Pin ItI’ve been helping Angela Ackerman and Becca Puglisi at Writers Helping Writers keep a big secret: The Emotion Thesaurus Second Edition! Angela and Becca have added new responses, new entries, and new writing tips.
Pin ItA character’s essence is about more than just unique characters, but what is their essence? These 3 perspectives on character essence teach us about our characters.
Pin ItSomewhere along our learning curve as writers, we’re likely to come across the skill of layering. Layering can help us create unique characters, no matter how stereotypical or tropey they might be on the surface.
Pin ItLonger writing—such as stories—can often be easier to write than something shorter, like a synopsis, query, Twitter pitch, or log line. That’s why the skills important in poetry can strengthen our prose writing.
Pin ItWhen faced with the many decisions of writing our story, the best choice is whatever tells the story we want to tell, but what does that mean? Let’s take a look at what storytelling really is and how we can improve our skills.
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