Do You Read Recently Published Books?
Should writers read current books in their genre? Some say this is common sense, but others think it’s controversial. Why should we read recent books?
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Where Normal Need Not Apply
Should writers read current books in their genre? Some say this is common sense, but others think it’s controversial. Why should we read recent books?
Pin ItTo discover the best drafting process for us, we might need to experiment.
Today, Marty C. Lee shares how she develops story beats into a chapter-by-chapter outline.
How can we include conflict—and conflict resolution—between our characters without relying only on fighting? Check out L. Deborah Sword’s insights.
Pin ItLet’s say this only once: Repetition and redundancy in our writing is a problem, but we can learn how to avoid the issue.
Pin ItIs a scene’s sequel—the reaction to a scene’s events—part of the scene? Or are they ever independent (and if so, how do we make them stronger)?
Pin ItSome stories benefit from multiple points of view, but only if we follow a few do’s and don’ts. Here’s how to write multiple POVs right.
Pin ItCharacter descriptions are often necessary in a story, but can be boring. Here’s Angela Ackerman’s 7 tips for how we can keep our character descriptions from slowing our story.
Pin ItIn talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
Pin ItWhen pitching our story, we might struggle with figuring out which elements to focus on. How do we decide what to emphasize in our pitch?
Pin ItEveryone understands what worldbuilding is for fantasy, science fiction, historical, etc., but what does worldbuilding mean for contemporary stories?
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