Where Normal Need Not Apply
The trick to sharing setting information (which our readers do need) without dragging down the pace is to write active descriptions. Active descriptions let the reader imagine the setting in their mind, keep them anchored in the story, and slip in information so seamlessly that they never realize they’re reading descriptions.
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I was going to rant about poor editing today, but I closed the wrong window in my computer and lost all 1000 words. *sigh* So I’ll try it again later when I’m not so sleep deprived from WANACon preparation. Instead, I’m revisiting a different topic today. We’ve heard the saying: Life […]
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A couple of weeks ago, Becca Puglisi, one of the co-authors of the fantastic Thesaurus books, shared her tips for using the new The Positive Trait Thesaurus and The Negative Trait Thesaurus books. Her advice can help us develop our characters at all stages of planning, drafting, and editing. But the […]
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Most tips for creating sympathetic characters point out that our characters need flaws. And that’s very true. But it can be a real trick to show flaws for characters who bottle up their emotions in an attempt to hide their weaknesses. While very common, that defense mechanism can leave very […]
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We’ve probably all heard the advice to “show don’t tell” more times than we can count. Like most advice, it’s worded as an absolute, making it seem as though telling is never okay.
Once we’re experienced, we know that’s not true. Some telling is absolutely okay, and in certain cases, is preferable to showing.
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I’ve gushed many times about the awesomeness of Janice Hardy’s blog—for good reason. Her writing tips are clear and insightful. She discusses topics more thoroughly than most. And it’s a rare thing when I can’t find an answer to a writing question there. She’s also a super-fantastic person (I’ve met […]
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In deep POV, especially, we want to avoid “head-hopping” and maintain our story’s immersion. But that means we need to know the right way to change the point-of-view of our story.
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Whatever genre we write, we often have to write scenes that make us uncomfortable. High on that discomfort scale for many authors are romantic scenes between characters. Whether we write romance or another genre with love interests, or whether the characters merely kiss or have sex with the door open […]
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My recent post about avoiding “information dumps” prompted a conversation in the comments about omniscient point-of-view (POV) and its use of “telling” rather than “showing.” Serena Yung wanted to know why omniscient POV—and thus, telling rather than showing—are less common now than in the classics. She’s certainly right about omniscient being […]
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I’ve mentioned before that I love subtext. I’ve analyzed the Spiderman reboot for subtext. I’ve written about how to revise for subtext, how to use subtext in emotional scenes, and how character development happens in subtext. Yeah, I’m a tad obsessed with subtext. So when the fantastic Angela Ackerman of […]
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