Where Normal Need Not Apply
When we’re first starting out as writers, creating a business plan might be the last thing we want to do. However, a business plan can be anything we want it to be. In truth, there are far more non-business things we could include in a “business” plan than we might assume.
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No one will ever care about our success as much as we do. That’s why—even though we’re writers—we should think of ourselves as business people. No matter what kind of writer we are, we’ll need to make business decisions, and that’s where having a business plan can help.
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Recently, an interesting article discussed research on the brains of writers. One important finding seemed to match research in other areas, namely that experienced people think differently from those just learning the ropes. Being an expert isn’t just about knowing more.
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When we first start seeking or giving beta reads, we might not know what kind of feedback is possible or appropriate. To help us, here’s a listing of ideas of the many aspects beta readers can use for evaluating a story.
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One of the RWA workshops I most looked forward to was Courtney Milan’s “Slow Writer’s Guide to Making a Living” presentation. Judging by the crowd, a lot of writers struggle with the pressure to write faster and the worry that our slowness will prevent us from reaching our goals.
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This past weekend, author Hugh Howey shared Liliana Hart’s self-publishing method, which she calls “5 down and 1 in the hole.” It’s easy to look at her self-publishing success (over 2 million ebooks sold) and chalk it up to luck. However, I heard advice that complemented her technique throughout the RWA Annual Conference.
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As I mentioned with the worksheet I shared last week, it’s often easier to work backward when we’re framing our story. At the very least, knowing the ending often makes it easier to see our character’s arc.
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I can’t make everyone a winner in my Blogiversary contest, but I can give everyone a gift by releasing a new worksheet. Yay! A couple of my readers asked me to take a look a John Truby’s work and see if I could come up with a worksheet based on his teachings.
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I’m looking forward to seeing my roomies again, and I do enjoy giving workshops and meeting people, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
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When starting a revision, we often struggle to see the underlying issue to know how to fix it. Do we need to change the plot? The characters? Both?
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