Some sales pitches play on our fears, and others play on our self-doubt. These sales messages are usually worded like, “If We’re Serious about Writing, We’ll…” Unfortunately, messages like this aren’t limited to sales pitches.
Unfortunately, some writers believe that paying for a workshop, class, or conference is necessary to succeed, and some sales pitches play to our fears by implying they can teach us the “secret” to success. But while these resources can help us as writers, they’re not required to succeed.
If you’re a writer, this list might help you give suggestions to family or friends. Or you can direct your family to this post for ideas. Something on this list is bound to please every writer out there.
Some authors are able to write coherent stories while drafting. Others put together words willy-nilly and end up with a story that doesn’t hold together. And still others plot but are just writing their chaos down in advance. For all, a strong sense of story structure would help them during planning, drafting, and/or revisions.
Many of us need help knowing what gifts to buy for people, so with that in mind, I’m sharing my Ultimate Gift Guide for Writers. If you’re a writer, this might help you give suggestions to family or friends. Or you can direct your family to this post for ideas. Something on this list is bound to please every writer out there.
It’s almost time for NaNoWriMo, when thousands of writers will try to cram 50,000 words into a 30-day deadline. If you’re doing NaNo and anything like me, you might be freaking out a little as November nears. Although this is my third year with NaNo, this will be my first time doing it “for really-real.”
On social media, I often encourage people to ask me questions. That’s not a superficial platitude. I am pathologically helpful, so when a reader asked for my advice about blogging, specifically how we would start and when we should get started, I decided to do a mega-link post with all my tips.
If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
One of the RWA workshops I most looked forward to was Courtney Milan’s “Slow Writer’s Guide to Making a Living” presentation. Judging by the crowd, a lot of writers struggle with the pressure to write faster and the worry that our slowness will prevent us from reaching our goals.