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Revising without Tears — Guest: Rachel Funk Heller

June 30, 2015 Writing Stuff
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If you’re anything like me, you might have a love/hate relationship with revisions. I love seeing my story strengthen and improve, but I hate the struggle. Today my guest poster is sharing a worksheet to help us find the important aspects of each scene so we can revise without tears.

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Point of View: What Does Your Character Know?

June 4, 2015 Writing Stuff
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When it comes to learning about point of view and how to avoid issues like head-hopping, it doesn’t help that half the information out there is confusing and contradictory. Let’s take a closer look at how we can find and fix these issues.

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How to Get Our Thoughts onto the Page

January 29, 2015 Writing Stuff
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Probably no one can claim to be an expert at making sure the cool character in our head makes it onto the page. We can only guess at how readers will interpret what we tell them. Advice can help us share our brain with our readers as much as possible, but the process will never—ever—be completely clean.

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How to Create Characters Worth Reading

January 27, 2015 Writing Stuff
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There’s no shortage of blog posts about what makes characters likable to readers. Yet readers still read and enjoy stories with unlikable characters. Why? Let’s take a look at what options we have for creating characters that compel readers to keep turning pages.

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How to Use Needs and Goals to Appeal to Readers

January 15, 2015 Writing Stuff
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When we first start learning about writing, we’re often faced with a whole new language. Words like “beats,” “tension,” and “conflict” take on new meaning within the writing world. Such it is with the words “needs” and “goals.” Once we enter the writing world, those words become infused with extra meanings related to plots and character arcs.

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The Psychology of Emotions — Guest: Kassandra Lamb

November 18, 2014 Writing Stuff
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We usually want to keep the reader immersed in the story and keep readers’ interest by engaging their emotions. But when we understand the psychology driving emotions, we might be able to make those emotions more realistic or recognize when there’s a disconnect on a character’s emotional journey.

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Showing Emotions: Finding the Right Balance

September 25, 2014 Writing Stuff
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The ability to manipulate our readers’ emotions is a good thing (as screwed up as that sounds). Storytelling and keeping readers’ interest often comes down to creating emotions in our readers. So let’s take a closer look at how we create emotions in our readers and how we find the right balance.

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How to Use Layers to Show Intense Emotions

July 1, 2014 Writing Stuff
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A “numb” reaction isn’t unusual for dark or deep emotions. In fact, it’s probably fairly normal. But it makes writing the scene more difficult. How do we show numb and deep emotions at the same time? How can readers connect to an emotionless character?

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Expand Our Senses and Improve Our Descriptions

June 12, 2014 Writing Stuff
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How many hundreds of times have we all heard the advice to “show not tell”? That’s often good advice (except for the times when it’s not *smile*). Other than the exceptions, “showing” usually is better than telling because it pulls the reader deeper into the story. But that means we need to figure out how to […]

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How to Make a Forbidden Romance Work

May 1, 2014 Writing Stuff
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Today’s “Ask Jami” came from a comment on my Romance Beat Sheet post. Nick wanted to know how a story’s structure would change if the romance is forbidden. Ooo…

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