It’s almost time for NaNoWriMo, and if you’re anything like me, you might be freaking out a little as November nears. So here are several quick links to posts helping us plan, start, and get unstuck with our story.
Story beginnings are difficult to get right. We have to introduce the characters, the story, the setting, the protagonist’s longing, and show an immediate obstacle that creates a near-term goal. At the same time, we have to avoid confusing readers, and for that, we need context.
One way to keep readers interested in our writing is to hook them with an excerpt to our next story at the end of our book. But there are times an excerpt could hurt our sales. When is it a good idea to include an excerpt—and when is it not?
Our stories consist of many elements—from backstory to dialogue—that each contribute to our story. Yet we can overdo those elements with an information dump. How can we include the different elements while making sure we don’t cross over into Info Dump Land? Let’s talk options…
We’re almost to the new year, so let’s take those thoughts of new beginnings over to our stories. Most writers have probably struggled with a story’s opening, but if we start from the big picture and move to the specific, we might have an easier time finding the right beginning for our story.
I’ve added a page to my site to list my favorite writing craft and reference books. I’ve added several books that I thought of off the top of my head, but I know I’m forgetting a bunch too. So let me share the books I thought of, and let’s see what others have to add to the suggestions.
Most stories open with the protagonist on page one, but every once in a while, our story seems to work best if we start with another character. If we understand why the protagonist usually works best as the point-of-view character for the first page, we might be able to remake those exceptions into stronger openings.
In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.
Many stories “strike out” with readers in the first chapter. So our opening pages are just as critical to sales as our book cover, title, back-cover blurb, etc. Let’s take a closer look at cliches to avoid and tips to make those pages work for us.
Tomorrow, thousands of writers will start their novel for National Novel Writing Month (NaNoWriMo). I’m not in a good spot in my writing project schedule to participate this year (*pout*), but I’m cheering from the sidelines. (I’m Jami Gold if anyone wants to buddy me.) On this occasion, I wanted to bring together several tips […]