As writers, we do everything we can to make readers invested in our characters in some way. An invested reader is a happy reader, right?
Well, maybe not. Let’s take a look at the other side of character development.
The journey to writing is filled with many obstacles, yet something keeps us going. Maybe if we understand what’s been most helpful for us becoming and/or remaining a writer—not including writing skill—we’ll be better prepared to face our obstacles now and into the future.
We’ve been discussing when we might be willing to be paid in “exposure.” There are valid reasons for deciding that more exposure will be good for our long-term plans. However, we’d want to make sure that exposure actually materializes in a helpful way and works hard for us.
Kristen Lamb wrote last week about how the “culture of free” is killing creatives. Too often, we’re expected to work “for exposure.” At the same time, I recently posted about how we can use free content as a pricing strategy. So which is it? Should we work for free or not?
Unfortunately, some writers believe that paying for a workshop, class, or conference is necessary to succeed, and some sales pitches play to our fears by implying they can teach us the “secret” to success. But while these resources can help us as writers, they’re not required to succeed.
Many of us struggle with maintaining a sense of privacy online, yet being a writer requires us to be “public figures.” That means we have to find a balance between privacy and public sharing to be an author. Let’s take a look at some of the privacy issues we might run into in our writing life.
Every Thanksgiving, I write a “the best reason to blog” post because gratitude is such a powerful tool. Thinking about what we’re thankful for forces us to pay attention to what has meaning in our lives. The daily grind can make us forget why we do what we do, but being grateful for the good things reminds us of what matters most.
For many writers, the point of writing is to connect with others through our words. Because of that desire, it’s hard to ignore feedback, and during editing, we don’t want to ignore suggestions. But what about after we publish? Should we read reviews of our published work?