Ever heard the advice: “If you can stop writing, you should stop writing”? I’m here to say *pfft* to that. I gave up writing for years, yet I’m now a multi-published author. Choices we made about writing yesterday don’t determine today.
I talked last time about the strengths of an alpha heroine. Does that mean betas are the opposite and therefore weak? Nope, I would never say that betas are weak, so what traits do beta characters have? What would a character without strengths look like?
There’s no “one right way” in publishing. We can probably all think of ways that don’t work, but there are often several paths that do lead to success. The same applies to encouragement advice. We often see two kinds of encouragement in the writing world: pushy and sympathetic. Either way can work, depending on who we are at this moment in time.
When we need to open our wallet for editing services, we want to make sure that we’re spending our money on quality editing for our needs. Let’s see if we can come up with tips, questions, and processes that will help us evaluate editors for our needs.
No matter how good we are self-editing, we can’t catch every unclear meaning or typo in our own work. But there are different kinds of editors, and if we have a limited budget, we might not know what type of editors are most important for our success. Let’s take a closer look at the types of editing and when we might (or might not) need that type of editing.
One truism in writing that’s often repeated is “write what you know.” But that advice can be harmful—at least for fiction writing. I much prefer the advice: Write what you want to learn about. Being open to learning new things for our writing can enrich our lives—and be fun!
I’m a perfectionist, so I had to get over a lot of my own issues to be able to publish my stories. Many steps along our writing path can make us uncomfortable, as we’re not perfect, not ready. But I never would have been able to publish if I hadn’t pushed myself to be comfortable with being uncomfortable.
It’s been almost a week since my release of Unintended Guardian, and I’ve been getting lots of questions about how I made my decisions for what to do with my books. Let’s start at the beginning: How did I decide on my publishing path? For that, we have to go back to when I first started on my writing career path.
Many large, life-changing events can scare us—even terrify us. We might think, “It’s a good thing I didn’t know how hard it would be, or I might not have done it.” Sometimes writing or publishing can be terrifying, yet we have to move past our fears.