Some sales pitches play on our fears, and others play on our self-doubt. These sales messages are usually worded like, “If We’re Serious about Writing, We’ll…” Unfortunately, messages like this aren’t limited to sales pitches.
Unfortunately, some writers believe that paying for a workshop, class, or conference is necessary to succeed, and some sales pitches play to our fears by implying they can teach us the “secret” to success. But while these resources can help us as writers, they’re not required to succeed.
Last week, I challenged writers to think about how they’re giving back to the writing community because it needs our help to thrive. Yet no matter what I recommend, there will be takers infecting our community, so let’s learn how to recognize them for what they are.
Writing requires a humongous learning curve. Back when I first started writing, I was frustrated with that learning curve. I wanted to be done and over with it so I could just get on with the process of writing. But after 7 years and 8 completed stories, I’ve gained insights into how the learning curve works.
Whether we put any stock into tests like Myers-Briggs, they’re interesting for providing insights into our strengths and weaknesses. Once we understand our traits, we can decide whether we wish to fight to improve, find a way around them, or embrace them as part of our process.
When we’re young, the world feels like it’s made up of wrong answers and right answers. Not surprisingly, writing is one of those areas of our life where “one right way” doesn’t apply, and there are several reasons why there’s no definitive “right” way to write a book.
We’ve probably all seen us vs. them attitudes for many aspects of writing, implying that there’s only one right process. However, just because something works for one person doesn’t mean it will work for everyone, and in the end, there’s only one thing that matters.
Self-publishing advice often centers on how much we should charge for our work, and the advice often conflicts. My monthly guest post over at Janice Hardy’s Fiction University is digging deeper into our options for our pricing strategy and why we might want to make each choice.
Many of us start down the writing path without knowing the grammar rules. However, it’s best to know the rules before deciding to break them, especially as the proper use (and abuse) of grammar rules can strengthen our voice. Today’s guest post from Julie Glover shows how grammar can make a difference.
The real world is filled with diversity, and our stories should be the same way. There’s no “one right way” to portray diverse characters, but there are wrong ways to portray diversity. However, there are steps we can take to minimize—as much as possible—the potential of “getting it wrong.”