With another final under Treasured Claim’s belt, my debut has now finaled five times in three contests for published books. So today seems like a good time to touch upon the contest arena for published books.
Last Friday, Angela Quarles’s book Must Love Chainmail was named a finalist in RWA’s RITA award, and my writing bestie’s success reminded me of an important lesson for all of us. The road to success can look an awful lot like chaos. *smile*
If we write genre fiction, we might bemoan the lack of respect, but the same lack of respect occurs at the reader level too. Readers of science fiction, fantasy, graphic novels, young adult, and romance have also been looked down on. Many outsiders have attempted to make readers ashamed of their reading choices by judging by subjective measures.
In gearing up for the release of Pure Sacrifice, one frustrating experience was beyond my control. I’ve mentioned before that we should avoid assumptions about our characters, so I waited until I heard a voice that resonated and knew my paranormal character for this book wouldn’t be white skinned. Great! Except…
Whether we publish indie or traditionally, we may want to start a company at some point in our writing career, either for our pen name or for a publishing imprint or author services business. Today, I’m excited to have Kathryn Goldman here to share with us the legal aspects of starting our own company.
One of my commenters asked a great question last week that gets to the heart of the balancing game we have to play when writing romance. The characters have to be perfect enough for each other to make a believable couple, but there also has to be enough conflict between them to sustain a story.
Every Thanksgiving, I write a “the best reason to blog” post because gratitude is such a powerful tool. Thinking about what we’re thankful for forces us to pay attention to our priorities. The daily grind can make us forget why we do what we do, but being grateful for the good things reminds us of what matters most.
If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
Many of us find beta readers by offering to exchange our work with other writers in a “I’ll give you feedback if you give me feedback” arrangement. That structure means we have to do a good job with our feedback if we want to continue the beta buddy exchange program.
One of the RWA workshops I most looked forward to was Courtney Milan’s “Slow Writer’s Guide to Making a Living” presentation. Judging by the crowd, a lot of writers struggle with the pressure to write faster and the worry that our slowness will prevent us from reaching our goals.