When we first start off as writers, if someone asks us about our story, we might launch into an overview of our story’s plot. It’s easy to think the plot is what our story is about. But with few exceptions, story isn’t the same as plot.
Last Friday, Angela Quarles’s book Must Love Chainmail was named a finalist in RWA’s RITA award, and my writing bestie’s success reminded me of an important lesson for all of us. The road to success can look an awful lot like chaos. *smile*
Theme is one of those concepts that can be hard to understand, but by understanding themes, we’ll better satisfy our readers. In the recent debate about the romance genre’s requirement for a happy ending, the controversy comes down to themes, believe it or not. *smile*
During our search for beta readers, we might come across other writers willing to exchange–but they write in a different genre. Should we try a critique partnership anyway? Here are 4 tips for beta reading outside our genre.
Conflict is one of those words we all think we understand, but the writing-world meaning doesn’t have the same connotation as the non-writing meaning. Yet it’s only after understanding conflict that we’ll see the difference between antagonists and villains in storytelling.
We all have emotions, so we all think we know how to write them. However, sometimes the best writing comes from exposing an emotional truth that we’re hiding from ourselves. So the better we understand emotions, the better our stories will resonate with our readers.
Back when I started thinking of self-publishing, one of the first things I researched was cover artists. In my usual over-thinking/over-analyzing way, I uber-researched the cover artist landscape to track down cover artists and design trends. And I figured some of what I learned might be helpful to others.
If we write genre fiction, we might bemoan the lack of respect, but the same lack of respect occurs at the reader level too. Readers of science fiction, fantasy, graphic novels, young adult, and romance have also been looked down on. Many outsiders have attempted to make readers ashamed of their reading choices by judging by subjective measures.
In gearing up for the release of Pure Sacrifice, one frustrating experience was beyond my control. I’ve mentioned before that we should avoid assumptions about our characters, so I waited until I heard a voice that resonated and knew my paranormal character for this book wouldn’t be white skinned. Great! Except…
One way slow writers can succeed is to create more income streams for each book, such as releasing an audio version. But we might not have experience with audio publishing. Luckily, today’s post is by a narrator for Amazon’s ACX service who will tell us how to get started with ACX, especially how to audition and work with a narrator.