Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”
Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.
There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.
This week is Banned Books Week, an annual event sponsored by the American Library Association celebrating the freedom to read. Many have already blogged about the political aspects of this event, so I’m tackling this issue from a less serious perspective. Sort of. *smile*
We’re all familiar with the concept of movie trailers, but book trailers are becoming more common too. Like a movie trailer, a book trailer is meant to increase interest in a story. Where queries and back-cover blurbs pitch a story in writing, book trailers pitch a story by showing. Literally. Some publishers of big name authors will […]
If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.
Writing can be a difficult career. Writers can be lonely, plagued by self-doubt, faced with rejections that feel personal and judgmental, and expected to be good at everything (creative and a sales/marketing person!). Yet we do it anyway. We must have our reasons…beyond sheer insanity, I mean.
If we write our story well, every aspect of the story will contribute to the overall picture and create an impression for the reader. There aren’t any unimportant details in a well-written story. And that means the careers for our characters shouldn’t be an afterthought either.