Writing can be a difficult career. Writers can be lonely, plagued by self-doubt, faced with rejections that feel personal and judgmental, and expected to be good at everything (creative and a sales/marketing person!). Yet we do it anyway. We must have our reasons…beyond sheer insanity, I mean.
If we write our story well, every aspect of the story will contribute to the overall picture and create an impression for the reader. There aren’t any unimportant details in a well-written story. And that means the careers for our characters shouldn’t be an afterthought either.
Many books recently on the bestseller lists have been part of series. From the Divergent series to the new cliffhanger and serial books, series are a popular trend. But what if we don’t naturally write series? Will we be left behind? The “lessons learned” section in my post about Beverly Kendall’s self-publishing report reiterated the […]
We have a hard time defining literary fiction. Society gives us assumptions on the relative value of genre vs. literary fiction, but those assumptions miss the point. Assigning value judgments to the labels “literary” and “genre” doesn’t make sense because preferences are subjective opinions and there’s no “better” or “worse.”
Reading is subjective. The stories some of us hate, others love. Personally, I have no interest in non-genre stories. This is not a sign of my inability to think deeply, but rather a personal preference. Mary Buckham’s ideas about the differences between literary and commercial fiction made me wonder about this preference.
We often struggle with identifying a story’s theme, and when it comes to including themes in our own stories, we might be at a loss for how to do so. This past weekend, a writing workshop for preteens included lessons on how to write with themes. The processes the kids went through to discover how to incorporate themes in their stories might help us too.
Okay, so I’m a week-and-a-half late for Valentine’s Day and the topic of this post. I’ll “blame” the time I put into WANACon. *smile* We had a fantastic and successful WANACon though, with great sessions on many writing-related topics, so I’ll call it a worthwhile trade. I recently came across an interesting post at my […]
Last week, we looked at turning points from the perspective of beat sheets—how to identify them and ensure they’re changing the direction of the story enough to deserve their name. But turning points affect the story in other ways too. Turning points aren’t just about plot twists. (In fact, plot twists come with a warning.) […]