Every writer struggles to get their thoughts on the page and make their ideas make sense to others. The typical advice for how to resolve that issue is to use beta readers, but what if we can’t find beta readers? What can we do?
Several debates have come and gone on the publishing landscape. Plotters vs. pantsers, self-published vs. traditionally published, etc. I’ve always said that people should find whatever works for them, but what if we don’t know what that might be?
My series about Indie Publishing Paths at Fiction University has highlighted some of the choices we have to make as self-published authors, and it’s easy to feel overwhelmed when faced with so much uncertainty. So where do we start?
When trying to find the best editor for us, we might struggle more with developmental editors because the usual technique of asking for sample edits doesn’t work. So how should we find a developmental editor who’s a good match for us?
A question over at my guest post at Writers Helping Writers asked what a writing coach was, but there’s no definitive answer. On some level, a coach is anyone who gives advice, so before asking ourselves if we need or want a writing coach, we’d first have to dig into what we mean by the term.
Given world events, many people want an escape right now. Our writing—our stories—can give readers a breather, a chance to recover, an opportunity to regroup and build up strength or defenses. The crazier the world, the more the world needs our stories.
Marketing a book—including its cover, title, tagline, and blurb—to appeal to readers is a different skill set from writing a book, and getting feedback on those elements can be tricky. Today Jefferson Smith shares a resource for improving those critical aspects of our writing.
Many people have tried to identify what goes into creating our voice, but it’s a hard thing to define. We often just know it when we see it. Voice is personal—not just for writers, but also for readers. Yet we can identify—and strengthen—the 5 elements that go into our voice.
Newsletters are an important tool for holding onto our readers from book to book, but we usually have to pay a newsletter service if we have a lot of subscribers. So how can we make sure we’re not wasting money on uninterested subscribers?