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Blogiversary Winners & Writing Flexibility

July 14, 2015 News
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Some writers can find themselves paralyzed by the thought of needing to get their first draft “right.” That’s crazy-making, however. A draft—a first draft especially—is a tool to help us discover the story we want to tell, the characters we want to meet, and the themes we want to explore. That’s it.

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Character Psychology: 9 Common Errors — Guest: Kassandra Lamb

June 16, 2015 Writing Stuff
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If we don’t want to write characters who are too perfect, we have to layer in a few flaws. That means we might be writing characters who are “broken” in some way, and we don’t want to get the details wrong. Luckily, I know just who can help us get this right.

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Story Climax: Forcing Characters to Move Forward

April 30, 2015 Writing Stuff
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Whatever happens in the Climax is often the reason we decided to write the story back when it was just a twinkle in our muse’s eye. But just before the beat of the Climax, our character experienced the Black Moment/Crisis, where they gave up. How do we get them to recommit to the story goals?

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Should We Only “Write What We Know”? — Guest: S.P. Sipal

March 24, 2015 Writing Stuff
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One truism in writing that’s often repeated is “write what you know.” But that advice can be harmful—at least for fiction writing. I much prefer the advice: Write what you want to learn about. Being open to learning new things for our writing can enrich our lives—and be fun!

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What Creates a Story’s Theme?

December 18, 2014 Writing Stuff
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Many stories that stick with us over time resonate with some aspect of our life, belief, or worldview. Often, the theme of the story creates that resonance. If we understand what creates a story’s theme, we might be able to improve the resonance of our stories.

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Ask Jami: How Can We Make a Story Believable?

December 11, 2014 Writing Stuff
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As soon as immersion is broken for a reader, their suspension of disbelief is at risk, so we don’t want unbelievable aspects of our story to kick readers out of the story midway. When it comes to believability, issues could crop up within the plot, characters, or worldbuilding, and we have to find the right balance within each of those areas.

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Diversity in Writing: Researching Characters — Guest: Melinda Primrose

November 13, 2014 Writing Stuff
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We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”

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6 Steps to Researching a Story — Guest: Tracy L. Ward

November 11, 2014 Writing Stuff
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No matter what genre we write, we’re likely to have to research something. If our stories take place within the real world, we might have to research events, settings, or diseases. If our stories take place outside the real world, we might have to research theories, ideas, or concepts. In other words, today’s post about how to research for writing projects will be relevant to most of us.

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Why No Advice Is Perfect: Character Emotions

September 30, 2014 Writing Stuff
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.

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Blogiversary Winners & a New Worksheet!

July 10, 2014 Writing Stuff
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I can’t make everyone a winner in my Blogiversary contest, but I can give everyone a gift by releasing a new worksheet. Yay! A couple of my readers asked me to take a look a John Truby’s work and see if I could come up with a worksheet based on his teachings.

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