point of view

Revising without Tears — Guest: Rachel Funk Heller

June 30, 2015 Writing Stuff
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If you’re anything like me, you might have a love/hate relationship with revisions. I love seeing my story strengthen and improve, but I hate the struggle. Today my guest poster is sharing a worksheet to help us find the important aspects of each scene so we can revise without tears.

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Point of View: What Does Your Character Know?

June 4, 2015 Writing Stuff
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When it comes to learning about point of view and how to avoid issues like head-hopping, it doesn’t help that half the information out there is confusing and contradictory. Let’s take a closer look at how we can find and fix these issues.

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Ask Jami: Can We Use Beat Sheets with Multiple POVs?

April 7, 2015 Writing Stuff
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Stories with multiple major characters—with their own point-of-view (POV) scenes—can make story structure complicated. Do we have to make beat sheets for each character? As a romance author, I write with multiple POVs all the time, so let’s see if we can figure out how to make beat sheets work in those situations.

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What Are Your Favorite Writing-Related Books?

February 19, 2015 Writing Stuff
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I’ve added a page to my site to list my favorite writing craft and reference books. I’ve added several books that I thought of off the top of my head, but I know I’m forgetting a bunch too. So let me share the books I thought of, and let’s see what others have to add to the suggestions.

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Should Our Protagonist Be in the First Scene?

February 17, 2015 Writing Stuff
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Most stories open with the protagonist on page one, but every once in a while, our story seems to work best if we start with another character. If we understand why the protagonist usually works best as the point-of-view character for the first page, we might be able to remake those exceptions into stronger openings.

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How to Get Our Thoughts onto the Page

January 29, 2015 Writing Stuff
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Probably no one can claim to be an expert at making sure the cool character in our head makes it onto the page. We can only guess at how readers will interpret what we tell them. Advice can help us share our brain with our readers as much as possible, but the process will never—ever—be completely clean.

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Ask Jami: Whose Point of View Should We Use?

October 23, 2014 Writing Stuff
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Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”

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Ask Jami: How Many Characters Is “Too Many”?

October 21, 2014 Writing Stuff
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Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.

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Cause and Effect: Understanding Story Flow

October 9, 2014 Writing Stuff
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In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.

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Why No Advice Is Perfect: Character Emotions

September 30, 2014 Writing Stuff
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.

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