point of view

How to Get Our Thoughts onto the Page

January 29, 2015 Writing Stuff
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Probably no one can claim to be an expert at making sure the cool character in our head makes it onto the page. We can only guess at how readers will interpret what we tell them. Advice can help us share our brain with our readers as much as possible, but the process will never—ever—be completely clean.

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Ask Jami: Whose Point of View Should We Use?

October 23, 2014 Writing Stuff
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Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”

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Ask Jami: How Many Characters Is “Too Many”?

October 21, 2014 Writing Stuff
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Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.

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Cause and Effect: Understanding Story Flow

October 9, 2014 Writing Stuff
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In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.

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Why No Advice Is Perfect: Character Emotions

September 30, 2014 Writing Stuff
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There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.

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Showing Emotions: Finding the Right Balance

September 25, 2014 Writing Stuff
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The ability to manipulate our readers’ emotions is a good thing (as screwed up as that sounds). Storytelling and keeping readers’ interest often comes down to creating emotions in our readers. So let’s take a closer look at how we create emotions in our readers and how we find the right balance.

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Writing Active Settings, Part 1 — Guest: Mary Buckham

July 22, 2014 Writing Stuff
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The trick to sharing setting information (which our readers do need) without dragging down the pace is to write active descriptions. Active descriptions let the reader imagine the setting in their mind, keep them anchored in the story, and slip in information so seamlessly that they never realize they’re reading descriptions.

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3 Tips for Skipping the Boring Parts

February 20, 2014 Writing Stuff
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I was going to rant about poor editing today, but I closed the wrong window in my computer and lost all 1000 words. *sigh* So I’ll try it again later when I’m not so sleep deprived from WANACon preparation. Instead, I’m revisiting a different topic today. We’ve heard the saying: Life is a journey. Often this […]

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Fix 4 Common Writing Problems with “The Emotion Thesaurus”

December 10, 2013 Writing Stuff
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A couple of weeks ago, Becca Puglisi, one of the co-authors of the fantastic Thesaurus books, shared her tips for using the new The Positive Trait Thesaurus and The Negative Trait Thesaurus books. Her advice can help us develop our characters at all stages of planning, drafting, and editing. But the comments of that post pointed […]

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How to Make Characters Vulnerable to Readers

November 7, 2013 Writing Stuff
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Most tips for creating sympathetic characters point out that our characters need flaws. And that’s very true. But it can be a real trick to show flaws for characters who bottle up their emotions in an attempt to hide their weaknesses. While very common, that defense mechanism can leave very little for us, as authors, […]

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