As authors, we need to be careful when dealing with shocking, horrifying, or potentially problematic story elements. Let’s explore the steps we can go through to figure out the right approach for our genre, story, and characters.
If you’re anything like me, and your English or grammar instruction was less than ideal, you might not be familiar with the term rhetorical devices. But once I did learn about them, I quickly became aware of how using rhetorical devices can strengthen our writing—even if we’re writing genre stories.
While we need to learn grammar rules for our writing, if we follow the rules too strictly, we can strangle our voice,. Today, Julie Glover shares her tips on four steps to break grammar rules in a good way.
We’ve probably all heard (or thought!) that description is boring or the part readers skip. Yet our stories need description or else be confusing. Marcy Kennedy joins us today to share 5 tips to empower and add interest to our description by using contrast.
The Thesaurus books by Angela Ackerman and Becca Puglisi are a must-have for every fiction author, and they now have two new Thesauri books: Urban Setting and Rural Setting. Becca’s here today to talk about how setting is important for more than just describing the time and place of our scene.
Aphantasia is the term for when someone can’t imagine something in their mind–“mind blindness” or not having a “mind’s eye.” As writers, this perspective not only gives us all sorts of story and character ideas, but it can also raise many questions about the concept of imagination itself.
I’ve written many times about how much I love subtext, the stuff that happens between the lines. Subtext lurks in many aspects of our stories and helps immerse readers and add realism and tension. In addition, subtext can help us build layered characters.
To create a great emotional story, we need to know not only the vocabulary of describing emotions, but also how we can evoke emotions in our readers. Marcy Kennedy’s here to show us how deep point of view can help us evoke those emotions we want within our readers.
From school, we’re probably all familiar with using topic sentences to break ideas into paragraphs in non-fiction, but the rules are different for fiction. Choosing where to put paragraph breaks is one of the most voice-dependent decisions we can make as writers.
Reader complaints about editing quality usually focus on grammar and word choice and usage. That potential of being called out in reviews is just one reason why copyediting is so important. Sometimes the wrong usage of a word or punctuation mark can even change the meaning of our writing, as Misti Wolanski is here to show us today.