One technique for drafting or editing our stories into shape is using beat sheets, but it can be tricky to understand how to use them. Here’s a round-up beat sheet and story structure resources that might help us understand beat sheets.
It’s been almost a week since my release of Unintended Guardian, and I’ve been getting lots of questions about how I made my decisions for what to do with my books. Let’s start at the beginning: How did I decide on my publishing path? For that, we have to go back to when I first started on my writing career path.
Is a Catalyst the same thing as an Inciting Incident? (Answer: Yes.) How do I know? It’s not because there’s a secret cheat sheet with translations for every beat sheet term. *smile* If we know the functions beats fulfill in a story, we’ll always know where a story event belongs on a beat sheet.
Many stories that stick with us over time resonate with some aspect of our life, belief, or worldview. Often, the theme of the story creates that resonance. If we understand what creates a story’s theme, we might be able to improve the resonance of our stories.
Either plot events affect the character and the story, or they don’t. One style is common in storytelling, and one might sink our writing. If we understand the difference, we can learn what to look out for and know how to fix any problems.
Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”
It’s almost time for NaNoWriMo, when thousands of writers will try to cram 50,000 words into a 30-day deadline. If you’re doing NaNo and anything like me, you might be freaking out a little as November nears. Although this is my third year with NaNo, this will be my first time doing it “for really-real.”
Recently, an interesting article discussed research on the brains of writers. One important finding seemed to match research in other areas, namely that experienced people think differently from those just learning the ropes. Being an expert isn’t just about knowing more.
As I mentioned with the worksheet I shared last week, it’s often easier to work backward when we’re framing our story. At the very least, knowing the ending often makes it easier to see our character’s arc.
I can’t make everyone a winner in my Blogiversary contest, but I can give everyone a gift by releasing a new worksheet. Yay! A couple of my readers asked me to take a look a John Truby’s work and see if I could come up with a worksheet based on his teachings.