I’m looking forward to seeing my friends again, and I’ll be doing my first book signing, but the stress? Ugh. It’s a good thing I have my handy-dandy ultimate packing list from the last time I went to RWA National.
While we need to learn grammar rules for our writing, if we follow the rules too strictly, we can strangle our voice,. Today, Julie Glover shares her tips on four steps to break grammar rules in a good way.
The learning curve we face when deciding to become a writer is always longer than we think because we don’t know what all we don’t know. So how can we track our progress? How can we tell whether we’re improving? How can we feel good about our writing?
With another final under Treasured Claim’s belt, my debut has now finaled five times in three contests for published books. So today seems like a good time to touch upon the contest arena for published books.
As writers, we face deadlines and commitments every time we turn around. So we’re likely to be familiar with the pressure of deadlines and the expectation of meeting our commitments. But what happens when we can’t meet them? How bad is it for us and our reputation?
Reader complaints about editing quality usually focus on grammar and word choice and usage. That potential of being called out in reviews is just one reason why copyediting is so important. Sometimes the wrong usage of a word or punctuation mark can even change the meaning of our writing, as Misti Wolanski is here to show us today.
Everyone has an ego, a sense of how they fit into the world. In the publishing world, that “everyone” includes the newbie writer and the multi-published NYT bestseller, the professionals of traditional publishing and self-publishing. Sometimes egos are healthy and helpful for getting things done. Other times…not so much.
A writer’s life can quickly shift from leisure time to impossible deadlines, which can interfere with our healthy habits. To maintain our health, we should occasionally analyze our self-care habits and routines—especially when we have time between the chaos.
I’ve spoken many times about our learning curve as writers. Not only can it seem endless, but we can also be skilled at one aspect and unskilled in another. So at what point can we stop thinking of ourselves as beginning writers? When will we be “qualified” for the advanced stuff?