Everything we write should be intentional—the words we use, the events we emphasize, the emotions we evoke, the themes we build, etc. But when our writing doesn’t match our intentions, we might need trusted feedback that forces us to justify our choices.
There’s no “one right way” in publishing. We can probably all think of ways that don’t work, but there are often several paths that do lead to success. The same applies to encouragement advice. We often see two kinds of encouragement in the writing world: pushy and sympathetic. Either way can work, depending on who we are at this moment in time.
Last week, we talked about the different kinds of editing and editors, and we also talked about how to evaluate editors. Now let’s dig deeper into some of the variations we might encounter when evaluating editors. By understanding these variations, we might better be able to find our perfect match.
When we need to open our wallet for editing services, we want to make sure that we’re spending our money on quality editing for our needs. Let’s see if we can come up with tips, questions, and processes that will help us evaluate editors for our needs.
No matter how good we are self-editing, we can’t catch every unclear meaning or typo in our own work. But there are different kinds of editors, and if we have a limited budget, we might not know what type of editors are most important for our success. Let’s take a closer look at the types of editing and when we might (or might not) need that type of editing.
No matter how we publish, we have to come up with a great book description. Queries and blurbs have always been my weak point, so I asked my editors at each stage of the editing process for help. Julie Glover’s here today with tips for how to go from good to great.
One way we develop our characters is by figuring out their false belief: What lie do they tell themselves? Now the fun thing is to think about how that idea applies in the real world. Just like our characters, we tend to hold false beliefs and lie to ourselves as well.
Probably no one can claim to be an expert at making sure the cool character in our head makes it onto the page. We can only guess at how readers will interpret what we tell them. Advice can help us share our brain with our readers as much as possible, but the process will never—ever—be completely clean.
There’s no shortage of blog posts about what makes characters likable to readers. Yet readers still read and enjoy stories with unlikable characters. Why? Let’s take a look at what options we have for creating characters that compel readers to keep turning pages.