As writers and as readers, we’ve probably noticed the many ebooks offered for free and wondered why anyone would do all that work for nothing in return. My monthly guest post at Janice Hardy’s Fiction University explores the benefits and risks of freebies.
If we’re looking into self-publishing, we’ve probably seen conflicting advice about how much to charge for our work. My monthly guest post over at Janice Hardy’s Fiction University digs deeper into the pros and cons of pricing low.
Self-publishing advice often centers on how much we should charge for our work, and the advice often conflicts. My monthly guest post over at Janice Hardy’s Fiction University is digging deeper into our options for our pricing strategy and why we might want to make each choice.
We’ve probably all heard stories about ebook formatting problems, but we can be at a loss for how to tell a good formatter from a bad one. What issues should we watch out for? What questions should we ask? Even if we traditionally publish, we might want to judge whether our publisher knows what they’re doing for ebook publishing.
Back when I started thinking of self-publishing, one of the first things I researched was cover artists. In my usual over-thinking/over-analyzing way, I uber-researched the cover artist landscape to track down cover artists and design trends. And I figured some of what I learned might be helpful to others.
Indie publishing isn’t made up of just one decision to put us on one path. Last month, we identified four options for the distribution of our books, and we started with a closer look at two of those distribution options. This month, we’re looking at the other two distribution options and when they might work best for us.
A common suggestion for how to attract readers is “offer a freebie.” However, there are risks to that strategy that we should be aware of. We can’t make the best decisions for us unless we have the information we need to make an informed choice that takes the pros and cons into consideration.
Indie publishing isn’t made up of just one decision to put us on one path. The choice to self-publish is just the first of dozens, maybe hundreds, of decisions we’re going to have to make as part of our indie career. One choice we have to face is how we want to sell our books. There’s no right or wrong answers—only what works best for us.