Everything we write should be intentional—the words we use, the events we emphasize, the emotions we evoke, the themes we build, etc. But when our writing doesn’t match our intentions, we might need trusted feedback that forces us to justify our choices.
Last week, we talked about the different kinds of editing and editors, and we also talked about how to evaluate editors. Now let’s dig deeper into some of the variations we might encounter when evaluating editors. By understanding these variations, we might better be able to find our perfect match.
When we need to open our wallet for editing services, we want to make sure that we’re spending our money on quality editing for our needs. Let’s see if we can come up with tips, questions, and processes that will help us evaluate editors for our needs.
No matter how good we are self-editing, we can’t catch every unclear meaning or typo in our own work. But there are different kinds of editors, and if we have a limited budget, we might not know what type of editors are most important for our success. Let’s take a closer look at the types of editing and when we might (or might not) need that type of editing.
Stories with multiple major characters—with their own point-of-view (POV) scenes—can make story structure complicated. Do we have to make beat sheets for each character? As a romance author, I write with multiple POVs all the time, so let’s see if we can figure out how to make beat sheets work in those situations.
One of the ways we create compelling writing is by creating a need within our readers to keep turning pages. So a common piece of advice is to create hooks—phrases, sentences, ideas, questions, etc.—to fuel that need within readers. Today, Mary Buckham’s here to touch on the 9 types of hooks and to answer frequent questions about hooks.
One technique for drafting or editing our stories into shape is using beat sheets, but it can be tricky to understand how to use them. Here’s a round-up beat sheet and story structure resources that might help us understand beat sheets.
No matter how we publish, we have to come up with a great book description. Queries and blurbs have always been my weak point, so I asked my editors at each stage of the editing process for help. Julie Glover’s here today with tips for how to go from good to great.
I’ve added a page to my site to list my favorite writing craft and reference books. I’ve added several books that I thought of off the top of my head, but I know I’m forgetting a bunch too. So let me share the books I thought of, and let’s see what others have to add to the suggestions.