editing

Should Authors on the Traditional Path Pay an Editor? — Guest: Sharon Hughson

November 20, 2014 Writing Stuff
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Writers pursuing traditional publishing are often told not to pay for editing before submitting to agents or publishers. But the landscape has changed and we’ve had to change our opinion and attitude about many old-school advice “rules.” Should this advice should be next on the chopping block?

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The Psychology of Emotions — Guest: Kassandra Lamb

November 18, 2014 Writing Stuff
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We usually want to keep the reader immersed in the story and keep readers’ interest by engaging their emotions. But when we understand the psychology driving emotions, we might be able to make those emotions more realistic or recognize when there’s a disconnect on a character’s emotional journey.

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6 Steps to Researching a Story — Guest: Tracy L. Ward

November 11, 2014 Writing Stuff
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No matter what genre we write, we’re likely to have to research something. If our stories take place within the real world, we might have to research events, settings, or diseases. If our stories take place outside the real world, we might have to research theories, ideas, or concepts. In other words, today’s post about how to research for writing projects will be relevant to most of us.

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Ask Jami: How Do We Describe Characters?

October 28, 2014 Writing Stuff
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How we describe characters often depends on our story’s genre and what impression we want readers to have. When we’ve talked about descriptions here before, we focused on how it’s important to describe our settings enough to anchor our readers. Do we have to describe our characters to the same extent?

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Ask Jami: Whose Point of View Should We Use?

October 23, 2014 Writing Stuff
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Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”

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Ask Jami: How Many Characters Is “Too Many”?

October 21, 2014 Writing Stuff
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Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.

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Cause and Effect: Understanding Story Flow

October 9, 2014 Writing Stuff
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In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.

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Showing Emotions: Finding the Right Balance

September 25, 2014 Writing Stuff
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The ability to manipulate our readers’ emotions is a good thing (as screwed up as that sounds). Storytelling and keeping readers’ interest often comes down to creating emotions in our readers. So let’s take a closer look at how we create emotions in our readers and how we find the right balance.

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First Pages: Tips to Avoid Cliches and Weak Writing

September 18, 2014 Writing Stuff
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Many stories “strike out” with readers in the first chapter. So our opening pages are just as critical to sales as our book cover, title, back-cover blurb, etc. Let’s take a closer look at cliches to avoid and tips to make those pages work for us.

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Too Close? 5 Techniques to See Our Story Objectively

September 16, 2014 Writing Stuff
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After we complete a first draft, we might want to dig into revising right away because we’re still excited and passionate about the premise. But many writers say it’s better to do something to gain “distance” from our story first. Distance helps us see our story objectively so we can revise ruthlessly, not clinging to our intentions but seeing our story’s potential.

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