Are we ready to hire an editor? To check, I’m sharing Part Two of Jeff Lyons guest post with the questions we should ask ourselves before hiring story help.Pin It
It’s tricky to tie up all the threads in our story’s Climax and even harder to give guidelines for how to write it, but let’s try to identify some story aspects we might want to include.Pin It
It’s hard to find an editor we can trust. To help, I’m sharing Part One of Jeff Lyons guest post with the questions we should ask before hiring story help, such as editors and consultants.Pin It
It’s hard to get our opening pages just right because we have to grab readers’ attention, introduce our characters and the story world, hint at a problem, etc. With everything we want to get across to the reader, we might dump too much information. How can we avoid info dumping or confusing readers at the beginning of our story?
Readers can interpret our characters as weak for many reasons, such as being passive, foolish, or lacking an arc. Another way a character might seem weak is using weak sentences in our writing, making them seem more wishy-washy than we intend.Pin It
Clichés, tropes, and stereotypes all seem like signs of lazy writing. And they are—or at least, they can be. But it can be impossible to avoid all instances of stereotypical elements. So what should we do instead?Pin It
One of the many reasons we need feedback is to help us fill in the blanks for things we can’t see or for understanding how others might interpret our words. But what happens when readers see our words and understand our intention, but they don’t believe what we’re telling them?
There’s no shortage of writing advice out there for us to learn. Some of that advice is questionable, a few tidbits are outright harmful, but most of it is decent-to-good. Yet even if advice is good, we still might want to ignore it. Yes, really.Pin It
I’ve mentioned before that I write very “clean,” which saves me money on editing. If we learn what we tend to get wrong and then watch out for those issues when writing, we can strengthen the skills that can help us write cleaner.Pin It
When faced with a scene with issues, many writers have the tendency to get rid of the scene and start over, but more often than not, the new scene has issues too. Re-writing won’t fix every problem, so let’s see if we can find a different approach: re-envisioning.Pin It