character archetypes

Audiobooks: Getting Started with ACX — Guest: Amy Patrick

July 9, 2015 Writing Stuff
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One way slow writers can succeed is to create more income streams for each book, such as releasing an audio version. But we might not have experience with audio publishing. Luckily, today’s post is by a narrator for Amazon’s ACX service who will tell us how to get started with ACX, especially how to audition and work with a narrator.

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Are Beta Characters Weak?

May 14, 2015 Writing Stuff
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I talked last time about the strengths of an alpha heroine. Does that mean betas are the opposite and therefore weak? Nope, I would never say that betas are weak, so what traits do beta characters have? What would a character without strengths look like?

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What Is an Alpha Heroine?

May 12, 2015 Writing Stuff
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I struggle constantly with keeping my heroines likable. Especially because I want my heroines to be on equal footing—power-wise—with the hero. In other words, I want alpha heroines to go with my alpha heroes. So let’s take a look at how heroines might be alpha characters.

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How to Use Needs and Goals to Appeal to Readers

January 15, 2015 Writing Stuff
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When we first start learning about writing, we’re often faced with a whole new language. Words like “beats,” “tension,” and “conflict” take on new meaning within the writing world. Such it is with the words “needs” and “goals.” Once we enter the writing world, those words become infused with extra meanings related to plots and character arcs.

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Diversity in Writing: Researching Characters — Guest: Melinda Primrose

November 13, 2014 Writing Stuff
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We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”

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The Character Debate: Strong and Vulnerable?

August 14, 2014 Writing Stuff
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If we want our protagonists to seem heroic, they need to have strong traits. Yet at the same time, if we want our protagonists to be relatable, they need have vulnerabilities. This is never an easy balance, especially when clichés fill our heads about what a “strong character” means.

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One Step to Better Writing and More Diversity

June 5, 2014 Writing Stuff
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The push for diversity isn’t about valuing diversity over storytelling. Or about meeting a quota. Or making a statement. This is about being a better writer.

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The Danger of Political Correctness for Diverse Books

June 3, 2014 Writing Stuff
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Diverse books are important—not simply for the sake of diversity—but so that by sheer number of representations, any one type of character isn’t limited to a stereotype. The truth is that we are all diverse. No one stereotypical character will ever represent us, no matter our color, nationality, or background.

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7 Tips for Using the Trait Thesauri — Guest: Becca Puglisi

November 26, 2013 Writing Stuff
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I have a special treat for everyone today! I’ve mentioned many times that I love The Emotion Thesaurus by Angela Ackerman and Becca Puglisi (of The Bookshelf Muse/Writers Helping Writers fame) for expanding my “showing vocabulary” when it comes to character emotions. A few weeks ago, I shared how their new books, The Positive Trait Thesaurus and The Negative Trait […]

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Using Conflict to Understand Our Characters

November 19, 2013 Writing Stuff
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All stories need conflict. As agent Donald Maass says, we need tension on every page. But that doesn’t mean our characters should come to fisticuffs on a regular basis. Instead, conflict refers to whatever stands between our characters and what they want. Why does it take them 300 or so pages to reach their goals or […]

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