Every writer struggles to get their thoughts on the page and make their ideas make sense to others. The typical advice for how to resolve that issue is to use beta readers, but what if we can’t find beta readers? What can we do?
A question over at my guest post at Writers Helping Writers asked what a writing coach was, but there’s no definitive answer. On some level, a coach is anyone who gives advice, so before asking ourselves if we need or want a writing coach, we’d first have to dig into what we mean by the term.
Even though many writers are introverts, that doesn’t mean we want to stay isolated or holed up in our home all the time. Tamar Hela shares her tips on how to stay connected to the writing community no matter where life takes us.
It’s that time of year again. My six-year blogiversary is coming up on July 12th. And I’m once again amazed by the fact that I’ve been writing this blog for six years. How can something feel like yesterday and forever at the same time?
While we need to learn grammar rules for our writing, if we follow the rules too strictly, we can strangle our voice,. Today, Julie Glover shares her tips on four steps to break grammar rules in a good way.
A recent article about unlikable heroines pointed out that likability is often more of a problem for female characters than for male characters. While I’ve learned how to minimize those issues with my characters, the problem still rankles me.
Whenever we send our work out into the world for feedback, we’re taking a risk. Depending on our levels of self-doubt, the feedback might roll off our back, inspire us to work harder and fix issues, or convince us that we should quit writing. How can we avoid destructive feedback and the temptation to quit?
Sometimes as authors, we struggle to create a well-rounded world or characters that feel so real to readers that they experience a movie in their mind. Stories that feel like we can crawl in and inhabit them are often lauded as special, but why is it so hard to succeed in that goal?
The journey to writing is filled with many obstacles, yet something keeps us going. Maybe if we understand what’s been most helpful for us becoming and/or remaining a writer—not including writing skill—we’ll be better prepared to face our obstacles now and into the future.
As writers, we face deadlines and commitments every time we turn around. So we’re likely to be familiar with the pressure of deadlines and the expectation of meeting our commitments. But what happens when we can’t meet them? How bad is it for us and our reputation?