It’s that time of year again. My six-year blogiversary is coming up on July 12th. And I’m once again amazed by the fact that I’ve been writing this blog for six years. How can something feel like yesterday and forever at the same time?
While we need to learn grammar rules for our writing, if we follow the rules too strictly, we can strangle our voice,. Today, Julie Glover shares her tips on four steps to break grammar rules in a good way.
A recent article about unlikable heroines pointed out that likability is often more of a problem for female characters than for male characters. While I’ve learned how to minimize those issues with my characters, the problem still rankles me.
Whenever we send our work out into the world for feedback, we’re taking a risk. Depending on our levels of self-doubt, the feedback might roll off our back, inspire us to work harder and fix issues, or convince us that we should quit writing. How can we avoid destructive feedback and the temptation to quit?
Sometimes as authors, we struggle to create a well-rounded world or characters that feel so real to readers that they experience a movie in their mind. Stories that feel like we can crawl in and inhabit them are often lauded as special, but why is it so hard to succeed in that goal?
The journey to writing is filled with many obstacles, yet something keeps us going. Maybe if we understand what’s been most helpful for us becoming and/or remaining a writer—not including writing skill—we’ll be better prepared to face our obstacles now and into the future.
As writers, we face deadlines and commitments every time we turn around. So we’re likely to be familiar with the pressure of deadlines and the expectation of meeting our commitments. But what happens when we can’t meet them? How bad is it for us and our reputation?
Everyone has an ego, a sense of how they fit into the world. In the publishing world, that “everyone” includes the newbie writer and the multi-published NYT bestseller, the professionals of traditional publishing and self-publishing. Sometimes egos are healthy and helpful for getting things done. Other times…not so much.
During our search for beta readers, we might come across other writers willing to exchange–but they write in a different genre. Should we try a critique partnership anyway? Here are 4 tips for beta reading outside our genre.
For every aspect of our story, we have to find the right balance. One element many writers struggle with is description: too little leaves our readers floating without an anchor, and too much drags our story’s pacing. So how do we find the right amount and know whether we need more or need to cut?