With another final under Treasured Claim’s belt, my debut has now finaled five times in three contests for published books. So today seems like a good time to touch upon the contest arena for published books.
Writers are often a neurotic, self-doubting lot, and many of us hope for validation as a means of overcoming that doubt. We never want to think about how that validation is only temporary, but the best we can do is try to create a healthy relationship with our validation desires.
Sometimes as authors, we struggle to create a well-rounded world or characters that feel so real to readers that they experience a movie in their mind. Stories that feel like we can crawl in and inhabit them are often lauded as special, but why is it so hard to succeed in that goal?
The journey to writing is filled with many obstacles, yet something keeps us going. Maybe if we understand what’s been most helpful for us becoming and/or remaining a writer—not including writing skill—we’ll be better prepared to face our obstacles now and into the future.
Last Friday, Angela Quarles’s book Must Love Chainmail was named a finalist in RWA’s RITA award, and my writing bestie’s success reminded me of an important lesson for all of us. The road to success can look an awful lot like chaos. *smile*
Everyone has an ego, a sense of how they fit into the world. In the publishing world, that “everyone” includes the newbie writer and the multi-published NYT bestseller, the professionals of traditional publishing and self-publishing. Sometimes egos are healthy and helpful for getting things done. Other times…not so much.
I’ve spoken many times about our learning curve as writers. Not only can it seem endless, but we can also be skilled at one aspect and unskilled in another. So at what point can we stop thinking of ourselves as beginning writers? When will we be “qualified” for the advanced stuff?
Kristen Lamb wrote last week about how the “culture of free” is killing creatives. Too often, we’re expected to work “for exposure.” At the same time, I recently posted about how we can use free content as a pricing strategy. So which is it? Should we work for free or not?
Many of us struggle with maintaining a sense of privacy online, yet being a writer requires us to be “public figures.” That means we have to find a balance between privacy and public sharing to be an author. Let’s take a look at some of the privacy issues we might run into in our writing life.
Approximately seventy bajillion new books are released every day (give or take a few bajillion). Our newly released books might have a hard time being noticed, so when we find readers who like our work, we want to make sure they’re still in our audience for our next book. Enter the email newsletter.