Story Conflict: It’s Not as Simple as We Think — Guest: L. Deborah Sword
How can we include conflict—and conflict resolution—between our characters without relying only on fighting? Check out L. Deborah Sword’s insights.
Pin ItWhere Normal Need Not Apply
How can we include conflict—and conflict resolution—between our characters without relying only on fighting? Check out L. Deborah Sword’s insights.
Pin ItIn our story, something makes our protagonist change and progress in their internal journey. But what’s that something? What triggers them to grow?
Pin ItThe Romance Writers Summit gives writers—especially those who write romance—expert advice with the keys to write powerful fiction. All for free!
Pin ItIt’s time for another post as a Resident Writing Coach over at Writers Helping Writers, and this time we’re talking about the obstacles preventing change.
Pin ItOut in the world, conflict is usually considered a bad thing, but our stories need it. How much conflict does our story need and how can we add more?
Pin ItThere are many types of goals we have to juggle when writing, and conflict between our storytelling goals can make that juggling act more difficult.
Pin ItIn talking about active vs. passive goals, the concept gets even more complicated if we’re writing multiple-protagonist stories like romance.
Pin ItOur characters don’t want to change, so they often start with passive internal goals. How we can make those passive goals work for us and our story?
Pin ItEver feel like popular writing advice doesn’t apply to your story? Defining our story’s mix of drive vs. focus might help us know when advice is a bad fit.
Pin ItEvery page of our story should include tension, such as friction between characters, but how do we create characters who clash? Let’s see how to develop characters who create tension in every interaction.
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