Once our story’s flow is in good shape, we might not know how to take the next editing step. We can self-edit through the line-editing stage, but it’s difficult. Wendy Sparrow’s worksheet may help.
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What can our character’s talents or skills add to our story if they’re not important to the plot? Becca Puglisi of Writers Helping Writers shares five ideas.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into the lessons we can take away from the movie Everything Everywhere All at Once.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re exploring how to balance scenes and sequels.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re comparing story focus: plot vs. character arcs.
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Angela Ackerman is sharing 5 methods to dig into our character and find their inner conflict—and examples for how to implement the ideas too!
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into how story structure problems can cause surprising issues.
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Need more obstacles for your story and characters? Here’s how to easily make obstacles stronger, especially for our Black Moment.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into how to make our characters interact with our setting.
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It’s time for another post as a Resident Writing Coach over at Writers Helping Writers, where we’re digging into what it means to treat our settings as characters.
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