Today’s Question: “How does one figure out which POVs to use and when? … How can I balance it out so that each character has their share of the novel without revealing too much or ruining the suspense?”
Kim wants to know if there’s an optimal number of characters to include in a novel. That’s a great question because we want to hit the balance between the claustrophobia of too few characters and the confusion of too many characters.
It’s almost time for NaNoWriMo, when thousands of writers will try to cram 50,000 words into a 30-day deadline. If you’re doing NaNo and anything like me, you might be freaking out a little as November nears. Although this is my third year with NaNo, this will be my first time doing it “for really-real.”
In the real world, the cause of something happens before the effect. But in writing, we can put words into any order we want, which might leave the reader confused. If they have to reverse events in their head, they’re probably no longer immersed in our story. Not good.
There’s never going to be a ‘one size fits all’ guideline for any aspect of writing. Every story is different, so some advice doesn’t apply to us. What’s right for one genre might not be right for another genre. Ditto for the point of view of the story. Or the characters. Or the plot.
The ability to manipulate our readers’ emotions is a good thing (as screwed up as that sounds). Storytelling and keeping readers’ interest often comes down to creating emotions in our readers. So let’s take a closer look at how we create emotions in our readers and how we find the right balance.
Many stories “strike out” with readers in the first chapter. So our opening pages are just as critical to sales as our book cover, title, back-cover blurb, etc. Let’s take a closer look at cliches to avoid and tips to make those pages work for us.
After we complete a first draft, we might want to dig into revising right away because we’re still excited and passionate about the premise. But many writers say it’s better to do something to gain “distance” from our story first. Distance helps us see our story objectively so we can revise ruthlessly, not clinging to our intentions but seeing our story’s potential.
If we’ve ever let beta readers or critique groups give feedback on our stories, we’ve probably run into the issue of receiving conflicting advice. In fact, if we’ve ever let more than one person read our work, we’ve probably received conflicting advice. *smile* One reader may love a character someone else hates. One person may think a subplot […]
We’re all familiar with the concept of movie trailers, but book trailers are becoming more common too. Like a movie trailer, a book trailer is meant to increase interest in a story. Where queries and back-cover blurbs pitch a story in writing, book trailers pitch a story by showing. Literally. Some publishers of big name authors will […]