There are almost an infinite number of ways we can develop our story. As long as we end up with a finished book, our process works. And just like the variety found in the overall writing processes we might use, we have many options for how to come up with our protagonist’s arc as well.Pin It
As I mentioned with the worksheet I shared last week, it’s often easier to work backward when we’re framing our story. At the very least, knowing the ending often makes it easier to see our character’s arc.Pin It
We normally create stories where the point—the theme—is in line with our worldview. But it’s not unusual for our characters to hold opposite beliefs, even our protagonists. At least to start. And their story journey is often where our theme lies.Pin It
We often write about settings or jobs or situations we haven’t experienced, and diversity among our characters should be no different. Today’s guest post is about how we can research and learn more about experiences for which we don’t have first-hand knowledge and avoid the fear of “getting it wrong.”Pin It
In storytelling, we often talk about the arc of our hero—the path of change and improvement they follow while trying to reach their goals and satisfy their desires. Like our characters, we have an arc, and we can take lessons from the hero’s journey of our characters and apply it to our life.
What makes a “strong female character”? We can struggle to define them because we see so few successful portrayals of such characters—especially in movies. Luckily, Diana Prince in Wonder Woman is a wonderful (ha!) example, so let’s break down her strengths so we can push for more characters like her in our stories.
Readers can interpret our characters as weak for many reasons, such as being passive, foolish, or lacking an arc. Another way a character might seem weak is using weak sentences in our writing, making them seem more wishy-washy than we intend.Pin It
We might sometimes wonder if our main character is worthy of the label protagonist or if our story would be better told through another character’s eyes. So let’s talk about how can ensure our main character deserves the role of protagonist.Pin It
Many stories require research on settings, characters, careers, or a story premise. The difficulties increase if we need to reference non-contemporary details. Today, historical fiction author Kathy Owen shares her top resources for researching historical details.Pin It
We’ve probably all heard (or thought!) that description is boring or the part readers skip. Yet our stories need description or else be confusing. Marcy Kennedy joins us today to share 5 tips to empower and add interest to our description by using contrast.Pin It